Those albums, particularly the recent three – the cryptically insightful “Welcome to Hard Times,” the semi-personal, hardcore country roots of “The Valley,” and “10 for Slim,” his tribute to the obscure James Hand, come with a No Two Alike guarantee.
Charley Crockett, despite his fondness for pearl snaps and western hats, has skillfully avoided being pigeonholed. Labeling him as neo-country-western suits him just fine.
As for Charley Crockett’s dental journey, during a nationwide tour on a bus formerly owned by Willie Nelson, his teeth underwent some alterations. Originating as a street performer, he used to busk on corners in New Orleans and in subway carriages in New York City.
Charley Crockett’s unique interpretation of American roots music, blending Texas blues, classic country, and Cajun soul, has garnered him a dedicated following on both sides of the Atlantic.
His musical journey, immersed in the vibrant sounds of city life, provided him with valuable lessons on projection and capturing an audience’s attention. Notably, encounters with jug bands, metal artists, and fellow musicians on the road exposed him to a wealth of iconic arrangements.
Concerning Charley Crockett’s personal life, details about his wife remain elusive to the world. However, he referred to Madison Hudson as his valentine on Instagram. Hudson appears to be a professional photographer with a passion for capturing sunsets and working on various projects, including fashion, editorial shoots, and collaborations with brands, couples, and weddings.
Charley Crockett’s album “Blue Bonanza” sheds light on a contemporary vocalist with deep roots, featuring 15 songs originally performed by legends like George Jones, Ernest Tubb, T-Bone Walker, Jimmy Reed, Charles Brown, Lavelle White, Ray Charles, and others.
Following Lil G.L’s. Honky Tonk Jubilee in 2017, this marks the second installment in Charley Crockett’s ongoing Lil G.L. series.
Charley Crockett’s diverse ethnicity, encompassing African, Cajun, Creole, and Jewish heritage, has piqued the curiosity of fans. Recognizing his unique background, he acknowledges that he stands out in what seems like a bygone era.
He is acutely aware that he doesn’t conform to the expectations of a typical country audience. Nevertheless, his outsider status contributes to the vibrancy of his music.
Crockett’s production may appear unusually busy by today’s standards, but it also pays homage to a time when country artists were commissioned to produce four or five albums each year.
In a nod to his busking days, Crockett pays homage to the roots of old-school country tunes and half-forgotten blues treasures with his unique interpretations.